A Cut Above: Colorado Artists Working in Wood
April 3 - August 31
A-Bridge, A-Bridge - Ansbacher Hall
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Art at Den
April 3 - August 31
A-Bridge, A-Bridge - Ansbacher Hall
Kevin Anderson, Brenda Blaesing, Kailee Bosch, Trent Bosch, Jeremy A Cox, Eric Cravens, Chris DeKnikker, Cindy Drozda, Mark Duvall, Sean M Gillespie, Robyn Herman, Debra Higley, Brian Hubel, Laura Kishimoto, Marcee Morris Laurent Niclot, Sean O’Meallie, Nikki Pike, Chris Purnell, Jon Weekley
Wood is one of humanity’s oldest and most enduring materials. Long before it was recognized as a medium for art, it served essential roles in daily life. It provided shelter, tools, furniture and objects shaped by hand and necessity. Over centuries, these functional traditions evolved into refined forms of craftsmanship, design and artistic expression. Across cultures and throughout history, woodworking has been shaped by skill, ingenuity and a close relationship with the natural world.
Colorado has a long and active tradition of woodworking, supported by its forests, landscapes and strong maker communities. A Cut Above: Colorado Artists Working in Wood reflects this legacy through the work of contemporary artists living and working across the state. The exhibition includes a wide range of practices that demonstrate how wood continues to inspire innovation, experimentation and artistic exploration.
The exhibition presents diverse approaches to working in wood, from finely crafted furniture such as chairs, dressers and functional forms, to sculpture, wall-based works and wood-turned objects.
Together, these works expand the definition of woodworking and reveal wood as a material capable of both utility and artistic depth. The artists bring varied perspectives to the exhibition, drawing from traditions of craft, design and fine art.
The artists featured approach wood as a material shaped by time, environment and growth. Grain, texture, scale and structure are not simply aesthetic considerations, but integral elements that guide each work. Some pieces emphasize organic and sculpted forms, while others lean toward abstraction. Functional objects often blur into sculptural statements, and long-standing techniques are reimagined through contemporary design and artistic investigation.
A Cut Above invites visitors to reflect on wood not only as a resource, but as a source of creativity and meaning. Through these works, viewers are encouraged to see familiar materials and forms in new ways, and to consider how art, function and nature remain deeply connected.