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Update from DEN: Monday morning passengers at DEN experienced significant lines across all security screening checkpoints resulting in lengthy wait times to get through security.

We’ve been in contact with local and national TSA leadership to understand what resources and staffing they had in place this morning, how the lanes were being operated, what advance planning took place, traffic projections, equipment issues and more. At the same time, we are reviewing our own operation regarding how we manage the lines outside the checkpoint. TSA and DEN continue to work together in partnership to address the challenges we are having so that we can best accommodate the numbers of passengers traveling through DEN, particularly at peak times. We are encouraged by the performance of the equipment in the new West Security Checkpoint and the vast majority of times, wait times are below 10 minutes. However, we know there was a problem during peak time on the morning of Feb. 26 and we are going to do everything we can possibly do, working with TSA and our airlines, to fix this situation. Our passengers deserve an amazing, efficient and positive travel experience and we are committed to providing just that.

Art at Den

Topiaries

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Topiaries

Jeppesen Terminal, Level 5 west side, near north security screening

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About the Artist, Angela Beloian

Angela Beloian has more than 20 years of experience as a professional artist. Since graduating with a BFA in Fine Arts from the University of California at Santa Barbara in 1991, she has exhibited her work in museums, galleries and art centers throughout the United States. Her work has appeared on the cover of Studio Visit Magazine (2014) and been reviewed in publications including Art Ltd (2014) and Westword where she received a “Best of Denver Award” (2014). She heads the art program at an independent high school in Boulder where she teaches and facilitates the Visiting Artist Program.
She is represented by Walker Fine Art in Denver.

About Topiaries

Artist Angela Beloian produced “Topiaries” as a meditative and subtle exploration of organic forms in an effort to quiet life’s bombardment of stimuli.
Paintings within the exhibit were constructed much like a gardener shapes a topiary; Beloian physically ties elements in her paintings together. Her sewing suggests the work has organically grown in reaction to this process. The sewn paintings and large scale mural within “Topiaries” collectively employ ink, yarn, and latex paint. Her work harkens back to growing up within a family that appreciated handmade things and who practiced woodworking and knitting.

a close up of a drawing

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