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CHECKPOINT ALERT: Bridge Security

Starting Dec. 9, 2024, TSA will no longer operate Bridge Security on a regular basis. A-Bridge and Ansbacher Hall will remain open for arriving passengers and employees accessing the Airport Office Building. Departing travelers must use West Security Checkpoint or South Security Checkpoint.

Security Checkpoint Information

TRAVEL UPDATE: Jackson Gap & 75th Ave. Detours

The existing off-ramp from inbound Peña Blvd. to Jackson Gap is closed for construction. While a temporary off-ramp is available, construction activity may cause travel impacts. Drivers on Jackson Gap will not be able to travel westbound on E 75th Ave. to the Pikes Peak shuttle lot. Detours are in place.

Peña Construction Prompts Detours for Jackson Gap and 75th

WAYFINDING: Changes to A-Bridge/ Ansbacher Hall

A-Bridge and Ansbacher Hall will be closed for overnight construction activities from 6 p.m. to 4 a.m., Monday through Thursday nights, through the opening of the East Checkpoint in Q3 2025. During closures, all travelers must use concourse trains to journey to and from the Terminal.

Changes Coming to A-Bridge/Ansbacher Hall

Art at Den

Topiaries

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Topiaries

Jeppesen Terminal, Level 5 west side, near north security screening

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About the Artist, Angela Beloian

Angela Beloian has more than 20 years of experience as a professional artist. Since graduating with a BFA in Fine Arts from the University of California at Santa Barbara in 1991, she has exhibited her work in museums, galleries and art centers throughout the United States. Her work has appeared on the cover of Studio Visit Magazine (2014) and been reviewed in publications including Art Ltd (2014) and Westword where she received a “Best of Denver Award” (2014). She heads the art program at an independent high school in Boulder where she teaches and facilitates the Visiting Artist Program.
She is represented by Walker Fine Art in Denver.

About Topiaries

Artist Angela Beloian produced “Topiaries” as a meditative and subtle exploration of organic forms in an effort to quiet life’s bombardment of stimuli.
Paintings within the exhibit were constructed much like a gardener shapes a topiary; Beloian physically ties elements in her paintings together. Her sewing suggests the work has organically grown in reaction to this process. The sewn paintings and large scale mural within “Topiaries” collectively employ ink, yarn, and latex paint. Her work harkens back to growing up within a family that appreciated handmade things and who practiced woodworking and knitting.

a close up of a drawing

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